Correcting myself:
Obviously (to me anyway), I had a minor brain lapse recently when I said that Harry and Dorothie Marsden had owned Auberge du Soleil. They owned Au Relais, an extremely popular Sonoma restaurant of its time.
Nancy Lilly reminds us all that Harry Marsden began his restaurant business on Arnold Drive, first where Sonoma Country Antiques is now, and then across the road at Cornerstone’s site. Lilly said, “It was a great spot for dinner even in the early days.” I first knew him when I was doing public relations for Claude Rouas’ and Henri Barberis’ L’Etoile restaurant in San Francisco’s Huntington Hotel and Harry was “pantry chef,” meaning he made salads. It is Rouas who is now a principal in Auberge du Soleil, as well as the El Dorado Hotel & Kitchen and Piatti.
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Ramekins Culinary School just hired Victoria Campbell as general manager. Until last week, she effectively served as culinary director at Sonoma Raceway, as a result of raceway President Steve Page persuading speedway caterer Levy Restaurants of Chicago to hire her to reshape Sonoma Raceway’s food.
With Page’s total support, she developed the new fresh food concessions, and created the raceway’s organic garden, on which I played a small part. (See the new issue of Edible Marin and Wine Country for raceway garden story.)
Said Ramekins owner Sarah Anderson from France, “We couldn’t be more happy than to have Victoria join the Ramekins family.”
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Sonoma Valley Rotary’s only slightly raucous “Applause” fundraiser recently at Hanna Boys Center was a huge success, raising record funds for youth programs throughout the Valley. The picnic competition was wild. Supposedly only home-cooked food could be entered in the contest, and there were also “winners” for theme, best decorated table, costumes and best overall presentation.
Probably not an inside job: Rotary President Bill O’Neal’s table, “Pirates of the Rotary Coast,” won first place for both theme and best overall presentation. Event chair Susan Hoeffel’s table, “When Pigs Fly,” was runner up for theme. Best decorated table went to Sam Morphy and Laura Zimmerman’s “French Art Scene” with a giant Eiffel Tower centerpiece, and Chad Allen’s table, “State Farmhouse,” won runner up. Vicky Whiting’s “Paleo Picnic” and Valerie Pistole and Rick Wynne’s “Hogwarts” table, tied for first for their costumes. And then the “Hospital” came in second for best overall.
In the food department, “Gilligan’s Island” won with some excellent island foods.
Judges included Suzanne Brangham, Kate Eilertsen, Karen Foley, Nancy Lang and me.
Entertainment producer James Marshall Berry put together great performances by Ballet Folklorico Quetzalan, Transcendence Theatre Company, Flying Eagle Dixieland Band, the Keenan Irish Dancers, the Santa Rosa Youth Symphony, Sheila Whitney Stanfield and Victor Mazzone.
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The Sonoma Valley Education Foundation’s Red & White Ball dinner Saturday, Sept. 6, is sold out, but lucky ticket holders will enjoy appetizers by the school district’s food services manager Cody Williams, with Jonathan Beard of the Sonoma Valley High School culinary team, using some veggies from the Altimira Middle School Garden.
If you didn’t get dinner tickets, you can make your own picnic and bring it. You can still get tickets to the ball itself, always a hot and swinging affair. $30. 5 to 10 p.m. Svgreatschools.org.
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If you missed artist Judy Theo’s performance a couple of Fridays ago, the newish Studio 35 gallery at 35 Patten St., you really missed something. Having now outed herself as a former nun, Judy may be known to some of you as Judy Lehner and Judy Theo Lehner. The Lehner comes from a former marriage, which produced a smart and lovely daughter, who now has twin boys.
We’ve known Judy well over the years because she designed the covers for most of Jerry’s and my Hill Guides to wine regions of the west coast. As many of you know, this peppy redhead paints in strong primary colors and owned Red Wolf Gallery – near Sign of the Bear – for many years.
For a long time she didn’t mention her “nun-ness,” but explained to us when she became Judy Theo, that the Theo came from her assigned nun’s name, Sister Theophane. Her grandmother always called her Sister Cellophane.
To a full house in the backyard of Studio 35, Judy performed as two people. She came out in something resembling a nun’s habit, with her veil covered with sparkles. As she told the story of her teens, decision to enter the convent and teach, and not to get out for 12 years, she brought into the act a second character, her friend who left religious life after just one year.
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